Short Stories & Anthologies

From the #1 New York Times bestselling author of Beautiful Ruins and The Cold Millions comes a stunning collection about those moments when everything changes—for the better, for the worse, for the outrageous—as a diverse cast of characters bounces from Italy to Idaho, questioning their roles in life and finding inspiration in the unlikeliest places. We all live like we’re famous now, curating our social media presences, performing our identities, withholding those parts of ourselves we don’t want others to see. In this riveting collection of stories from acclaimed author Jess Walter, a teenage girl tries to live up to the image of her beautiful, missing mother. An elderly couple confronts the fiction writer eavesdropping on their conversation. A son must repeatedly come out to his senile father while looking for a place to care for the old man. A famous actor in recovery has a one-night stand with the world's most surprising film critic. And in the romantic title story, a shy twenty-one-year-old studying Latin in Rome during “the year of my reinvention” finds himself face-to-face with the Italian actress of his adolescent dreams. Funny, poignant, and redemptive, this collection of short fiction offers a dazzling range of voices, backdrops, and situations. With his signature wit and bighearted approach to the darkest parts of humanity, Walter tackles the modern condition with a timeless touch, once again “solidifying his place in the contemporary canon as one of our most gifted builders of fictional worlds” (Esquire).

NPR Best Books of 2022 The Christian Science Monitor 10 Best Books of June Most Anticipated Books of 2022: The Millions, Electric Literature, Brittle Paper, Open Country Magazine, Ms. Magazine Winner of the 2020 Restless Books Prize for New Immigrant Writing and the 2021 AKO Caine Prize for African Writing, Ethiopian American author Meron Hadero’s gorgeously wrought stories in A Down Home Meal for These Difficult Times offer poignant, compelling narratives of those whose lives have been marked by border crossings and the risk of displacement. Set across the U.S. and abroad, Meron Hadero’s stories feature immigrants, refugees, and those on the brink of dispossession, all struggling to begin again, all fighting to belong. Moving through diverse geographies and styles, this captivating collection follows characters on the journey toward home, which they dream of, create and redefine, lose and find and make their own. Beyond migration, these stories examine themes of race, gender, class, friendship and betrayal, the despair of loss and the enduring resilience of hope. Winner of the 2021 AKO Caine Prize for African Writing, “The Street Sweep” is about an enterprising young man on the verge of losing his home in Addis Ababa who pursues an improbable opportunity to turn his life around. Appearing in Best American Short Stories, “The Suitcase” follows a woman visiting her country of origin for the first time and finds that an ordinary object opens up an unexpected, complex bridge between worlds. Shortlisted for the 2019 Caine Prize, “The Wall” portrays the intergenerational friendship between two refugees living in Iowa who have connections to Germany before the fall of the Berlin Wall. A Best American Short Stories notable, “Mekonnen aka Mack aka Huey Freakin’ Newton” is a coming-of-age tale about an Ethiopian immigrant in Brooklyn encountering nuances of race in his new country. Kaleidoscopic, powerful, and illuminative, the stories in A Down Home Meal for These Difficult Times expand our understanding of the essential and universal need for connection and the vital refuge of home—and announce a major new talent in Meron Hadero. “Witty and wistful, complex and heartbreaking, these stories capture lives caught between cultures and continents, past and present, truth and lies. As its displaced characters seek belonging, this collection explores the challenges of connection with empathy and nuance. A thrilling debut.” —Brit Bennett, bestselling author of The Vanishing Half and The Mothers “Debut books don’t get much stronger than this. Meron Hadero’s remarkable stories explore a diverse cast of people doing their best to find acceptance or at least stability—a 10-year-old Ethiopian immigrant who befriends a German man in Iowa; a pair of refugees in New York determined to learn how to cook classic American food. Hadero is deeply perceptive; her dialogue always rings true, and the regard she has for her characters is apparent. This isn’t just an excellent first book, it’s an excellent book, period.” —Michael Schaub, NPR Best Books 2022: Books We Love “This book heralds the arrival of a gifted, stunning writer. A Down Home Meal for These Difficult Times held me spellbound, riveted to the compelling characters that walk through these pages, all of them guided by Meron’s revelatory and generous examinations of belonging and displacement. These stories unfold with an intensifying power, each of them a testament to what’s possible when we move through this world insisting on the potential of hope, and love.” —Maaza Mengiste, author of Booker Prize finalist The Shadow King “This richly detailed, subtly impressionistic short-story collection—by the first Ethiopian-born writer to win the AKO Cain

Learning to Talk is a dazzling collection of short stories from the two-time winner of the Man Booker Prize and #1 New York Times bestselling author of the Wolf Hall Trilogy. With a new foreword by Hilary Mantel. In the wake of Hilary Mantel’s brilliant conclusion to her award-winning Wolf Hall Trilogy, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood. Sharp and funny, these drawn-from-life stories begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the child narrator, the only way to survive is to get up, get on, get out. In “King Billy Is A Gentleman,” the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. “Curved Is the Line of Beauty" is a story of friendship, faith, and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In “Third Floor Rising," she watches, amazed, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel illuminates the poignant experiences of childhood that leave each of us forever changed. “A book of her short stories is like a little sweet treat...Mantel’s narrators never tell everything they know, and that’s why they’re worth listening to, carefully.” —USA Today “Her short stories always recognize other potential realities...Even the most straightforward of Mantel’s tales retain a faintly otherworldly air.” —The Washington Post A Macmillan Audio production from Henry Holt and Company.

From Lisa Taddeo, #1 New York Times bestselling and award-winning author of Three Women and “our most eloquent and faithful chronicler of human desire” (Esquire), Ghost Lover is an electrifying collection of fearless and ferocious short stories. Behind anonymous screens, an army of cool and beautiful girls manage the dating service Ghost Lover, a forwarding system for text messages that promises to spare you the anguish of trying to stay composed while communicating with your crush. At a star-studded political fundraiser in a Los Angeles mansion, a trio of women compete to win the heart of the slick guest of honor. In a tense hospital waiting room, an inseparable pair of hard-partying friends crash into life’s responsibilities, but the magic of their glory days comes alive again at the moment they least expect it. In these nine riveting stories—which include two Pushcart Prize winners and a finalist for the National Magazine Award—Lisa Taddeo brings to life the fever of obsession, the blindness of love, and the mania of grief. Featuring Taddeo’s arresting prose that continues to thrill her legions of fans, Ghost Lover dares you to look away.

“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

Meet Finn. From all appearances he’s just a regular Irish kid, living in an Irish city, but he’s exceptional in one way: He’s wildly unlucky. He was dropped at birth and nearly ripped in two by a lightning strike. Never mind the cherry bomb that blew off one of his toes when he was five or that fall from the monkey bars at age seven that left him with a broken arm. His grandmother promises his fortunes will change, that God owes him, but what are the chances of that when the author of his fate is legendary storyteller Stephen King, the undisputed master of the macabre, eerie, and plain terrifying? King sets the scene: Finn is nineteen, walking home alone at night after necking with his girlfriend. He’s exhilarated and aching with what it means to be young and alive. Then bam: Another kid who’s dressed suspiciously like him, who, in fact, looks a lot like him, runs smack into him. This is weird enough, but moments later, while he’s still rubbing a scraped elbow, a van pulls up and two men jump out and grab him. A hood is thrown over his head, there’s a needle in his arm, and he’s out. He wakes in a cell, the captive of men who think he’s got answers to give them about a briefcase full of plans, about blueprints and some bomb factory, and they are willing to go to great—and painful—lengths to get what they want from him. It’s got to be a case of mistaken identity, or is something far more sinister going on? And far more absurd? As the young man tries to save his skin, he travels through existential and psychological crises that are a signature of King’s stories. No one knows monsters—imagines monsters—like the creator of It, The Outsider, Pet Sematary, and countless other mind-bending and timeless bestsellers, but in Finn he targets a peculiarly twenty-first-century monster: men so consumed by spy and war games that they twist reality to suit their purposes. As darkly funny as it is deeply unsettling, this latest story from King pokes some serious fun at “the luck of the Irish”—or in fact counting on any kind of luck when the machinations of a few bullies and madmen can so easily and tragically upend the lives of the innocent.

A thrilling new story collection from acclaimed writer Don Lee exploring Asian American identity, spanning decades and continents "Don Lee is one of those masterful storytellers who is both classic and modern, who can transport you into any setting, with any character." —The TODAY Show, recommended by author Weike Wang "The organizing conceit of all [Lee’s] fiction has remained consistent: Asian Americans are not monoliths . . . Lee narrates from a collective perspective, his stories offering a kaleidoscopic vision of all the ways it feels to be yellow." —The New York Times Book Review "Familiar joy is immediate as one reenters Lee’s signature worlds of brilliant resonance and quiet depth. In his first short story collection since his lauded Yellow debut, Lee again questions identity, unlikely relationships, and fleeting connections . . . While Lee' s devotees will joyfully relish casually dropped references to previous titles, new readers should savor plenty of first-time delight." —Booklist, STARRED review "The Partition is flat-out brilliant: a witty, kaleidoscopic tear through questions of race and identity in America today by a writer who has wrought luminous fiction from these issues for years. Don Lee's collection offers vivid, entertaining proof that ethnicity is never straightforward or easy—no matter who we are, or where we stand." —Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad Twenty-one years after the publication of his landmark debut collection Yellow, Don Lee returns to the short story form for his sixth book, The Partition. The Partition is an updated exploration of Asian American identity, this time with characters who are presumptive model minorities in the arts, academia, and media. Spanning decades, these nine novelistic stories traverse an array of cities, from Tokyo to Boston, Honolulu to El Paso, touching upon transient encounters in local bars, restaurants, and hotels. Culminating in a three-story cycle about a Hollywood actor, The Partition incisively examines heartbreak, identity, family, and relationships—the characters searching for answers to universal questions: Where do I belong? How can I find love? What defines an authentic self?

The second book from the “exact and poetic” (New York Times) author of critical smash Young Skins, winner of the Rooney Prize for Irish Literature and a National Book Foundation 5 Under 35, Homesickness  is an emotionally resonant and wonderfully wry collection that follows the lives of outcasts, misfits, and malcontents from County Mayo to Canada. When Colin Barrett’s debut Young Skins published, it swept up several major literary awards, and, in both its linguistic originality and sharply drawn portraits of working-class Ireland, earned Barrett comparisons to Faulkner, Hardy, and Musil. Now, in a blistering follow up collection, Barrett brings together eight character-driven stories, each showcasing his inimitably observant eye and darkly funny style.  A quiet night in a local pub is shattered by the arrival of a sword wielding fugitive; a funeral party teeters on the edge of this world and the next, as ghosts simply won’t lay in wake; a shooting sees a veteran policewoman confront the banality of her own existence; and an aspiring writer grapples with his father’s cancer diagnosis and in his despair wreaks havoc on his mentor’s life.  The second piece of fiction from a “lyrical and tough and smart” (Anne Enright) voice in contemporary Irish literature, Homesickness  marks Colin Barrett out as our most brilliantly original and captivating storyteller.

The Trouble with Happiness is a short-story collection from Tove Ditlevsen, the acclaimed author of the Copenhagen Trilogy, never before translated in English A newly married woman longs, irrationally, for a silk umbrella; a husband chases away his wife’s beloved cat; a betrayed mother impulsively sacks her housekeeper. Underneath the surface of these precisely observed tales of marriage and family life in mid-century Copenhagen pulse currents of desire, violence, and despair, as women and men struggle to escape from the roles assigned to them and dream of becoming free and happy—without ever truly understanding what that might mean. Tove Ditlevsen is one of Denmark’s most famous and beloved writers, and her autobiographical Copenhagen Trilogy was hailed as a masterpiece on re-publication in English, lauded for its wry humor, limpid prose, and powerful honesty. The poignant and understated stories in The Trouble with Happiness, written in the 1950s and 1960s and never before translated into English, offer readers a new chance to encounter the quietly devastating work of this essential twentieth-century writer.

In these over-busy, stress-rich days, what sounds better than a stay at a high-end spa, complete with a much-needed change of scenery, in a warmer, gentler spot? The heroine of this latest story from beloved bestselling author Lauren Groff is offered just that: a few all-expenses-paid days of pampering at an Arizona retreat, far from the colorless cold of late winter in her hometown of Boston. Soon she’s squinting into desert sunlight, a kind of all-encompassing brightness she’s not known in years. But relaxing is harder than it seems for Groff’s narrator, who, like so many of her unforgettable characters, is thrillingly complex and conflicted. A novelist, she’s been invited to the retreat to bring an air of intellectual sophistication—but only because a “far more famous writer” canceled at the last minute. She hasn’t had a full night’s sleep or written with any enthusiasm in months and is fresh from a breakup. Arriving with her guard up, she quickly becomes ill at ease with the wastefulness-in-the-name-of-luxury she sees around her, the complacency of the other guests—so wealthy she can barely relate to them or them to her—and the New Age spirituality on the overpriced spa menu. And yet something starts working on her. Maybe it’s the jarring beauty of the desert, the response to the reading she gives from her latest book, or even those New Age treatments she’s so suspicious of. Despite herself, her cynicism begins to soften. And as it does so, she becomes overwhelmed by what she feels—and we are drawn into the existential and psychological terrain that Groff maps with such uncanny skill, providing piercing insight after insight into what it means to live among the twenty-first century’s environmental and socioeconomic crises. In Junket, as with her recent internationally celebrated novel Matrix, she conjures a woman at a crossroads who, rather than surrender to desolation, finds renewed courage and strength via her art, a path to a creative vision all her own, confirming once again that this three-time National Book Award finalist is a master of both the sublime and the subversive.

The critically acclaimed author of The Rib King returns with an eagerly anticipated collection of interlocking short stories including the title story written exclusively for this volume, that explore relationships between friends, family and strangers in a Black neighborhood over fifteen years The twelve gripping tales In The Last Suspicious Holdout, the new story collection by award-winning author Ladee Hubbard, deftly chronicle poignant moments in the lives of an African American community located in a “sliver of southern suburbia.” Spanning from 1992 to 2007, the stories represent a period during which the Black middle-class expanded while stories of "welfare Queens," "crack babies," and "super predators" abounded in the media. In “False Cognates,” a formerly incarcerated attorney struggles with raising the tuition to keep his troubled son in an elite private school. In “There He Go,” a young girl whose mother moves constantly clings to a picture of the grandfather she doesn’t know but invents stories of his greatness. Characters spotlighted in one story reappear in another, providing a stunning testament to the enduring resilience of Black people as they navigate the “post-racial” period The Last Suspicious Holdout so vividly portrays.

From an award-winning team of authors, editors, and translators comes a groundbreaking short story collection that explores the expanse of Chinese science fiction and fantasy. In The Way Spring Arrives and Other Stories, you can dine at a restaurant at the end of the universe, cultivate to immortality in the high mountains, watch roses perform Shakespeare, or arrive at the island of the gods on the backs of giant fish to ensure that the world can bloom. Written, edited, and translated by a female and nonbinary team, these stories have never before been published in English and represent both the richly complicated past and the vivid future of Chinese science fiction and fantasy. Time travel to a winter's day on the West Lake, explore the very boundaries of death itself, and meet old gods and new heroes in this stunning new collection.

It’s been a long, long couple of years. A global pandemic, an economic crisis, racial and political strife brought to the boiling point, the climate not far behind. As we nervously embark on yet another uncertain trip around the sun, we wonder: How’s everyone doing? Ten of America’s finest writers tell us in This Is Life. Drawing on their wisdom and lived experience, they share bold, occasionally comic, occasionally biting insights on the past two years and offer possible ways forward, both for the country and for us as individuals. They articulate the anxiety of these inarguably lousy times yet also remind us that there remain plenty of reasons to be hopeful despite it all. In this collection: NPR’s Weekend Edition host Scott Simon on the hard-won lessons that will inform our lives going forward National Book Award winner and MacArthur Fellow Jacqueline Woodson on savoring today to better cope with tomorrow’s perils Climate activist Bill McKibben on a reimagined infrastructure that could finally save the planet New York Times bestselling author and national security expert Garrett M. Graff on the precarious fate of American democracy National Book Award finalist Carmen Maria Machado on the impulse to love harder in the face of calamity Bethany McLean, bestselling author of The Smartest Guys in the Room, on where to go now that the free-market economy has failed us Kiese Laymon, author of the bestselling memoir Heavy, on the poisonous influence of nonstop news Former Republican strategist Stuart Stevens on the bridge-building power of sports R. Eric Thomas, playwright and bestselling author of Here for It: Or, How to Save Your Soul in America, on the thrill and anxiety of reconnecting with people in person Bonnie Tsui, author of the 2020 bestseller Why We Swim, on how to find joy in the smallest of life’s moments Candid and empathetic, timely and timeless, This Is Life is a much-needed literary compass for navigating 2022 and beyond.

"Five Tuesdays in Winter moved me, inspired me, thrilled me. It filled up every chamber of my heart. I loved this book." —Ann Patchett By the award-winning, New York Times bestselling author of Writers & Lovers and Euphoria comes a masterful new collection of short stories Lily King, one of the most "brilliant" (New York Times Book Review), "wildly talented" (Chicago Tribune), and treasured authors of contemporary fiction, returns after her recent bestselling novels with Five Tuesdays in Winter, her first book of short fiction.  Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts expectations as it explores desire, loss, jolting violence, and the inexorable tug toward love at all costs. A reclusive bookseller begins to feel the discomfort of love again. Two college roommates have a devastating middle-aged reunion. A proud old man rages powerlessly in his granddaughter's hospital room. A writer receives a visit from all the men who have tried to suppress her voice.  Romantic, hopeful, brutally raw, and unsparingly honest, this wide-ranging collection of ten selected stories by one of our most accomplished chroniclers of the human heart is an exciting addition to Lily King's oeuvre of acclaimed fiction. 

A short story collection of nightmares, dreams, desire and visions centered around the Chicana experience. The stunning, star-reviewed V. Castro weaves urban legend, folklore, life experience and heartache in this intimate anthology of modern horrors. From the lauded author of The Queen of the Cicadas (which picked up starred reviews from PW, Kirkus and Booklist who called her "a dynamic and innovative voice") comes a short story collection of nightmares, dreams, desire and visions focused on the Chicana experience. V.Castro weaves urban legend, folklore, life experience and heartache in this personal journey beginning in south Texas: a bar where a devil dances the night away; a street fight in a neighborhood that may not have been a fight after all; a vengeful chola at the beginning of the apocalypse; mind swapping in the not so far future; satan who falls and finds herself in a brothel in Amsterdam; the keys to Mictlan given to a woman after she dies during a pandemic. The collection finishes with two longer tales: The Final Porn Star is a twist on the final girl trope and slasher, with a creature from Mexican folklore; and Truck Stop is an erotic horror romance with two hearts: a video store and a truck stop. FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices.

*A Wall Street Journal Top 10 Best Book of the Year* From John Edgar Wideman, a modern “master of language” (The New York Times Book Review), comes a stunning story collection that spans a range of topics from Michael Jordan to Emmett Till, from childhood memories to the final day in a prison cell. In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that—despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division—encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior. Never content merely to tell a story, Wideman seeks once again to create language that delivers passages like jazz solos, and virtuosic manipulations of time to entangle past and present. The story “Separation” begins with a boy afraid to stand alone beside his grandfather’s coffin, then wends its way back and forth from Pittsburgh to ancient Sumer. “Atlanta Murders” starts with two chickens crossing a road and becomes a dark riff, contemplating “Evidence of Things Not Seen,” James Baldwin’s report on the 1979–1981 child murders in Atlanta, Georgia. Comprised of fictions of the highest caliber and relevancy by a writer whose imagination and intellect “prove his continued vitality...with vigor and soul” (Entertainment Weekly), Look For Me and I’ll Be Gone will entrance and surprise committed Wideman fans and newcomers alike.

In a daring and fierce debut work of fiction—the likes of which comes along once in a generation—Virginia’s landscapes, emblems, and Thomas Jefferson’s historic plantation set the stage for a cast of unforgettable characters fighting for their right to exist in America. A young woman descended from Thomas Jefferson and Sally Hemings driven from her neighborhood by a white militia. A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America. Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation. In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.” United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable collection that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction. "A group of talented narrators deliver these short stories set in Virginia, which focus on the lives of African Americans." --AudioFile Earphone Award Winner A Macmillan Audio production from Henry Holt and Company

Margaret Atwood needs little introduction. If you don’t know her from her fifty-plus books and many awards and bestsellers, including her MaddAddam Trilogy, Alias Grace, and especially The Handmaid’s Tale, you’ll know her from that visionary and canonical novel’s adaptation into the Emmy-winning Hulu television series. At eighty-one, Atwood is more current and influential than ever, and with more than two million followers on Twitter, she’s achieved a kind of cool generally reserved for rock stars. (Bob Dylan’s got nothing on her.) In her Scribd Original story Two Scorched Men, Atwood takes a personal turn and returns to characters and places drawn from her own life. Her unnamed narrator pays tribute in fictional form to two men Atwood knew during the years she and her partner, Graeme Gibson, spent in Provence: John, a hotheaded Irishman who served in the Royal Navy during World War II and barely survived the deadly battles in the South Pacific; and François, a wry and affable Frenchman, who was once an operative in the French Resistance and led a life shaped by tragedy. As Atwood writes here, both men knew “I would someday relate their lives for them. Why did they want this? Why does anyone? We resist the notion that we’ll become mere handfuls of dust, so we wish to become words instead. Breath in the mouths of others.” Breathed into rich and dimensional life in these pages is the exquisite yet vaguely haunted house that the narrator and her husband, Tig, rented from John; the adjacent ancient forest and its allures and dangers; the rough country roads walked and retraced in dreams; the bloody history of the south of France, including the atrocities visited on medieval heretics and, centuries later, the guerrilla fighters who murdered Germans in an effort to free France from occupation. But at the center of the story is the touching friendship between John and François: how they indulge each other’s eccentricities and forgive each other their faults and psychic scars. With great precision and affection are their voices inhabited: John’s uproarious rants at human foolishness, his boasts about his playboy days as an advertising man, and a tempestuousness that so clearly covers for wounds that may never heal. By contrast, François is given to teasing misdirections and wordplay in the name of fun and a love of the absurd that draws everyone in. Tig, the husband of the narrator and a character so often featured in Atwood’s stories, speaks here as well. Practical, he’s a voice of reason and anchors the story’s narrator, much as John and François anchor one another in the world.  In these enduring and endearing relationships, so much of Atwood’s art and wisdom are on display: how ably she balances life’s inevitable injuries with beauty and humor, the pain of loss with the curative powers of the imagination. What better time in Atwood’s creative life—in fact, in our collective lives post a global pandemic—to accept that none of us gets out of life unscathed, that we are all mortal, perfectly imperfect, but that there is solace in friendship and laughter in remembering? Indelible detail by detail, sentence by sentence, Atwood is instructing her reader on resilience. We do what we can for each other, she tells us here, and thank goodness for that.

Marked by a sure grasp of unusual subject matter and unfurling in gorgeous prose, the stories in You Should Pity Us Instead explore some of our toughest dilemmas: the cost of Middle East strife at its most intimate level, the likelihood of God considered in day to day terms, the moral stakes of family obligations, and the inescapable fact of mortality. Also, fundamentally, love in its many guises--family, romantic, friendship--each ensnared by rigorous demands and responsibilities. In the scary and heartbreaking "All theSons of Cain," an Israeli woman sneaks into Gaza to reclaim her captive son from militants. In the title story, two families--one Atheist, the other Christian--confront the limits of their beliefs. "Goldene Medene" takes us to 19th century Ellis Island, where a doctor evaluates immigrants and, in blue chalk, marks his life-changing verdicts on their backs. Amy Gustine exhibits anextraordinary generosity toward her characters, instilling them with a thriving, vivid presence. You Should Pity Us Instead presents an artist of dynamic and capacious vision, one who can delineate the heart's most strenuous knots, and one capable of inhabiting most any life, no matter how disparate or obscure.

INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK  WINNER OF THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION Named a Best Book of the Year by: New York Times * NPR * Washington Post * LA Times * Kirkus Reviews * New York Public Library * Chicago Public Library * Harper’s Bazaar * TIME * Maureen Corrigan, Fresh Air * Boston Globe* The Atlantic A vibrant story collection about Cambodian-American life—immersive and comic, yet unsparing—that offers profound insight into the intimacy of queer and immigrant communities Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family. A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter. The stories in Afterparties, “powered by So’s skill with the telling detail, are like beams of wry, affectionate light, falling from different directions on a complicated, struggling, beloved American community” (George Saunders).

Eleven women confront dramas both everyday and outlandish in Caitlin Horrocks' This Is Not Your City. In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.

“A story so funny and alive with the moment. Orgy is rich with the absurdity of the world and ripe with the reality of our collective longing. Kaitlyn Greenidge has once again written something you won’t forget. Brilliant and sexy and aware and exactly what you need.” — Nana Kwame Adjei-Brenyah, author of FRIDAY BLACK “If sex is your chosen way for you to know yourself and others, what happens when a pandemic comes—and you discover it is as essential to your survival as a vaccine? Maybe more so? Sharp, affectionate, bawdy fun, a story as wise as a new best friend found on a spring night at an orgy. And Kaitlyn Greenidge continues to expand her literary terrain with this playful, masterful new work.” — Alexander Chee, author of HOW TO WRITE AN AUTOBIOGRAPHICAL NOVEL  Novelist Kaitlyn Greenidge, author of one of The New York Times’ most anticipated books of 2021, Libertie, and We Love You, Charlie Freeman, has been hailed as a “literary force to be reckoned with” (Buzzfeed). In her forthcoming Scribd Original, Orgy, she draws on the audacity that so often defines her work, imagining a day in the life of a young woman starved for connection and adventure in a city shut down by the COVID pandemic. Nessa knows she’s a hot mess. She’s strong and impulsive and won’t apologize for it. She moved to Brooklyn from Baltimore to study nursing—or that was the plan. Instead she used the money her mom’s church group raised for her schooling to rent her first place in Brooklyn. Twenty years later and she has zero regrets: She loves her apartment even if the ceiling sags and the heat won’t shut off, even if her chronically uptight cousin Laurie lives with her now, and even if being stuck in it during the pandemic is slowly robbing Nessa of what makes her feel most like her: desire, skin on skin, finding the secret parts of a lover’s body. When she’s invited to a party downtown, she knows she shouldn’t go but can’t resist. The invite’s subject line billed it as an “orgy,” thrown by some furries she knows. She outfits herself accordingly—pig nose and tail, black leotard, and fetchingly torn stockings—and, despite the disapproval of her cousin and the white boy who’s been camping in her cousin’s bed, she puts on her protective mask and walks out into a city transformed. It may be a lovely summer night, but she can’t help but see all that she and those around her have been missing during quarantine. At the party, she keeps confronting vestiges of her younger self, someone people noticed and who noticed others in reply: men, women, Black and white, gay and straight, nonbinaries, you name it—Nessa could see their beauty and reached to touch it. Now she feels like a ghost. Who and what she encounters next will make her confront how far she’s willing to go to feel like herself again, to encounter the desire that made the city feel real—and sometimes tantalizingly surreal—for her, and seize that rare and “pure glory of having a body and being alive.” Orgy is a provocative, unforgettable, and sometimes laugh-out-loud funny take on lust and longing in the time of corona, from one of the most exciting writers working today.

The stories in Elegy on Kinderklavier explore the profound loss and intricate effects of war on lives that have been suddenly misaligned. A diplomat navigates a hostile political climate and an arranged marriage in an Israeli settlement on a newly discovered planet; a small town in Kansas shuns the army recruiter who signed up its boys as troops are deployed to Iraq, falling in helicopters and on grenades; a family dissolves around mental illness and a child’s body overtaken by cancer. The moment a soldier steps on an explosive device is painfully reproduced, nanosecond by nanosecond. Arna Bontemps Hemenway’s stories feel pulled out of time and place, and the suffering of his characters seem at once otherworldly and stunningly familiar. Elegy on Kinderklavier is a disquieting exploration of what it is to lose and be lost.

Brand-new stories by: T. Jefferson Parker, Janet Fitch, Eric Beetner, Kelly Shire, Tod Goldberg, Michael Craft, Barbara DeMarco-Barrett, Rob Roberge, J.D. Horn, Eduardo Santiago, Rob Bowman, Chris J. Bahnsen, Ken Layne, and Alex Espinoza. From the introduction by Barbara DeMarco-Barrett: The best noir writers make us feel the heat of the sun, the touch of a lover. Setting can be gritty but can also be sublime, no longer relegated to urban locales and seedy hotel rooms but also mansions and swimming pools. Hence, Palm Springs, which may seem like an odd setting for a collection of dark short stories—it’s so sunny and bright here. The quality of light is unlike anywhere else, and with an average of three hundred sunny days a year, what could go wrong? . . . The stories in this collection come on like the wicked dust storms common to the area. More than half are by writers who live here full-time; all have homes in Southern California. They know this place in ways visitors and outsiders never will. These are not stories you’ll read in the glossy coffee-table books that feature Palm Springs’s good life. There is indeed a lush life to be found here, but for the characters in these stories, it’s often just out of reach.

In this warm and moving anthology, a group of bestselling authors and writers pay tribute to legendary, larger-than-life New York Times bestselling author Dorothea Benton Frank and her literary legacy. Inspired by the title Dorothea Benton Frank planned for her next book—Reunion Beach—these close friends and colleagues channeled their creativity, admiration, and grief into stories and poems that celebrate this remarkable woman and her abiding love for the Lowcountry of her native South Carolina—a land of beauty, history, charm, and Gullah magic she so brilliantly brought to life in her acclaimed novels.  From Elin Hilderbrand, #1 New York Times bestselling author, a sequel to Summer of ’69. From Adriana Trigiani, New York Times bestselling author, comes a heartwarming, humorous interview from the hereafter with Pat Conroy and Dorothea Benton Frank, two beloved icons of Southern literature. From Patti Callahan, bestselling author of Becoming Mrs. Lewis and Surviving Savannah, comes The Bridemaids, a story about a trip to the South Carolina beach. From Mary Alice Monroe, New York Times bestselling author, Mother and Child Reunion, a heartwarming story set under the warm South Carolina sun. Reunion Beach also features letters, short stories, poems, and essays from: Mary Norris, New York Times bestselling author and staff writer for The New Yorker Cassandra King Conroy, bestselling and award-winning author of Tell Me A Story Nathalie Dupree, James Beard Award-winning cookbook author Marjory Wentworth, former Poet Laureate of South Carolina Gervais Hagerty, author of In Polite Company Jacqueline Bouvier Lee, Peter Frank, Victoria Peluso, and William Frank Infused with Dorothea Benton Frank’s remarkable spirit, Reunion Beach is a literary homage and beautiful keepsake that keeps this dearly missed writer’s flame burning bright. Supplemental enhancement PDF accompanies the audiobook.

“Exceptional… This is the best kind of anthology, consistently excellent and inventive.” -Publishers Weekly, starred review The latest Mystery Writers of America story collection, featuring terrifying tales of encounters with strangers from some of the top bestsellers and award winners in crime fiction It’s been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there’s something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water. No matter how or where they appear, strangers are walking mysteries, complete unknowns in once-familiar territories who disrupt our lives with unease and wonder. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers such as Michael Connelly, Dean Koontz and Joe Hill.

A Most Anticipated Book From: OprahMag.com * Refinery 29 * Seattle Times * LitHub * Houston Chronicle * The Millions * Buzzfeed Award-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to date In these stories, the mysterious bonds of family are tested, transformed, fractured, and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear.  With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

INTERNATIONAL BESTSELLER "Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review "Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world. A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great leap in her company, and an even greater one in her love life. A powerful Ghanaian spokeswoman is forced to decide whether she should uphold her family’s politics or be true to her heart. In her debut collection, internationally acclaimed writer Bolu Babalola retells the most beautiful love stories from history and mythology with incredible new detail and vivacity. Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places. With an eye towards decolonizing tropes inherent in our favorite tales of love, Babalola has created captivating stories that traverse across perspectives, continents, and genres. Love in Color is a celebration of romance in all its many splendid forms. “I am in love with every single word Bolu Babalola has written. So rarely is love expressed this richly, this vividly, or this artfully.” —Candice Carty-Williams, international bestselling author of Queenie

One of the year's most anticipated books by The Millions, Colorlines and Remezcla, and recommended by the A.V. Club! Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. "Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. "Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean "Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries "Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review ". . .  a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine "Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions "This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews,  *Starred Review "Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly "The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World

Recommended by Jason Reynolds on PBS News Hour “Don’t think for one minute that Black Imagination is easy. As you will read here, it is hard-earned and sometimes dangerous, but it’s necessary, and radical, to claim and work towards. Listening to my people in this book gave me so much life, and I’m pretty sure, dear reader, you’re in for the same.” —from the Foreword by Steven Dunn “Witnessing is sacred work too. Seeing ourselves as whole and healthy is an act of pure rebellion in a world so titillated by our constant subjugation,” reflects viral curator Natasha Marin, on Black Imagination. This dynamic collection of Black voices, performed by Tony and Grammy Award-winning actor, rapper, and producer Daveed Diggs and Emmy Award-winning writer, creator, producer, and actor Lena Waithe, works like an incantation of origin, healing, and imagination. Born from a series of conceptual art exhibitions, the perspectives gathered here are no where near monochromatic. “Craving nuance over stereotype, we sought out black children, black youth, LGBTQ+ black folks, unsheltered black folks, incarcerated black folks, neurodivergent black folks, as well as differently-abled black folks.” Each insists on their own variance and challenges every listener to witness for themselves that Black Lives (and Imaginations) Matter. "A first step toward freeing ourselves."—Gloria Steinem "I've never felt the physical feeling of pages melting in my hands or chapters folding themselves into squadrons of black airplanes flying to freedom because I've never experienced an art object like Black Imagination."—Kiese Laymon, author of Heavy “Black Imagination required Natasha Marin to curate as a curate in the medieval sense— a spiritual guide that cares for souls... We are challenged to move beyond the abject, beyond pure pessimism, on the wings of a different criticality... 'visioning a world where none is lonely, none hunted, alien'.” —Christian Campbell, author of Running the Dusk "Defiantly hopeful... think Soul Train Line, think The Stroll, think the joyous striving with language for the possibilities of safety and hope.” —Kwame Dawes, author of Nebraska Cover art by Vanessa German.